
Her most enduring legacy, born in a productive rush at 65, was almost poignantly domestic: 20 dollhouses, known as the Nutshell Studies of Unexplained Death, reproducing, for the education of policemen, actual crime scenes, albeit in miniature form. She founded the first department of legal medicine at Harvard and began to study crime-scene procedure - forever changing how policemen think. It was said that he preferred his steak raw.”) Soon, Lee has bought not only “a photograph from President Garfield’s autopsy,” but “the poem that his assassin had scrawled in prison,” too.Ī product of her upbringing, her unorthodox passion notwithstanding, Lee channeled her interest in unsolved murders into an avenue familiar to her: targeted social philanthropy. (His antics were breathlessly mythologized in the papers: “It was said that he ate only one meal a day, at midnight. Her brother’s old Harvard roommate, Boston’s renegade chief medical examiner, got her hooked on observing autopsies. An heiress born at the end of the 19th century into “the kind of family that brought their furniture maker on vacation with them,” Lee was interested in medicine but denied a college education by her parents. The appeal of Frances Glessner Lee is that of a mother of three children who comes into her eccentricity in her 40s. Alas, the detective in this book is one-too-many degrees removed from the crime scene, and her story lacks the truly unappetizing details that make the rest of “Savage Appetites” worth consuming in one sitting. Many a police procedural begins with a coffee-guzzling detective flashing a badge, tossing a cigarette and ducking under caution tape.

(She gets only as far as picking the perfect outfit for a planned shopping-mall massacre.)
#Serial killer crime scene photos tumblr professional
She avoids the formulaic professional tropes of true crime, choosing for her case studies a “detective” who never solved any crimes a murder victim’s family whose members are apparently victimized by self-appointed victim advocates a “defender” who is really a litigious jail wife and, finally, a “killer” who doesn’t pull the trigger. Monroe zeroes in on the aftermath of murder, on the morbid curiosity that draws eager civilians toward the crime scene and catapults them into starring roles. For such women, someone getting killed is the best thing that ever happened to them. This enthralling book devotes case studies to four bored or directionless women whose fixations on other people’s crimes unlock a sense of purpose and give them a vocation.

In “Savage Appetites,” the journalist Rachel Monroe is interested in a paradox: upper-middle-class women who find that proximity to murder makes them feel more alive.

SAVAGE APPETITES Four True Stories of Women, Crime and Obsession By Rachel Monroe
